The Kids Are All Right – Movie 2 of 2011

I honestly had no idea what The Kids Are All Right was about based on the few trailers I’d seen of it, but it looked good enough to want to watch it.  And I love Julianne Moore no matter what she’s in.  Then, when it got nominated for Best Picture, Best Actress, and Best Supporting Actor I knew I wanted to see it no matter what.

It’s the story of a lesbian couple, Nic and Jules, played by Annette Bening and Julianne Moore who have two kids – Joni and Laser.  They are a close family.  Joni is 18 and this is her last summer at home before college.  Laser is 15 and enjoys sports and hanging out with his best friend.  Nic and Jules are still in love with each other and seem to have the perfect marriage and family until the kids locate the man who was their sperm donor.  He’s a cool grungy guy named Paul, played by Mark Ruffalo, who runs a restaurant and an organic community garden.

The kids like Paul and want to connect and hang out with him.  There are several awkward moments, as there should be, as they search for things to talk about and Paul honestly tries to learn about who “his” kids are.  Nic, the dominant one of the two Moms, decides they should have Paul over and meet him too.  But it’s the chemistry between Paul and Jules that is about to turn everything upside down.

The awkwardness between characters in different scenes presents itself as some perfect laugh out loud comedy.  Nic and Jules have a romantic moment alone in their bedroom and watch gay man porn for stimulation.  Later, the Moms catch Laser and his friend watching their DVD and try to get their son to talk to them about it if he’s gay, although he isn’t.

This is a stellar cast.  I loved Josh Hutcherson as Laser.  He has some excellent scenes that show a lot of heart and emotion, such as playing basketball with Paul and asking if he’d rather be buried or cremated, and Paul asks him if he prefers Nike or New Balance.  Paul shuns his “cool” friend Clay for wanting to urinate on a stray dog that wanders by, then the two trade punches in the face.  Joni, played by Mia Wasikowska,  also has her classic moments too – picking vegetables with Paul and getting a ride home from him on his motorcycle, even though her moms hate motorcycles, or playing scrabble with her “boy” friend while her sex crazed girl friend drools over jocks in the yearbook.

The only problem the movie has is its lack of intensity when the conflict is finally out in the open.  We build to it with intensity, but then are let down a bit by the outcome. Each character quickly deals with it in their own way, and then the movie is just pushed forward to its obvious heartfelt end.  But overall, I still loved the movie.  I was totally caught off guard by it, and that made me appreciate it even more.  Too bad Moore missed a nomination, but the other awards are much deserved!

Tennessee Found

J and I returned to Calvary and Bellefontaine Cemeteries yesterday to test J’s new camera by taking some photographs of the remaining snow.  If you follow my blog, you may recall us going there back on November 1st, 2008. You can read Part 1 of that trip here and view pics that I took at Bellefontaine.  And read Part 2 here with pics from Calvary. Note the vibrant and rich autumn colors in the photographs back then.  The cemeteries were definitely painted in a different light this trip.  AT 45 degrees, the atmosphere was pleasant.  Neither of us needed coats. The ground was barren in places that weren’t still covered in the snow from two weeks ago. I was captivated by dead leaves that had fallen on top of the snow, and the footprint they created from where the snow had melted around them, lowering them to the ground just inches into the snow. In most bends shielded from the sun, the earth was a pristine white floor beneath monuments of granite and marble.

I had heard that Tennessee Williams was buried here, and in 2008 assumed he was in Bellefontaine, it being the larger cemetery of the two. We couldn’t find him and returned home only to learn that he was actually across the street in Calvary.  Despite not looking up the location of his grave before we left this time, I was still determined to find him.  While there, J used his phone to connect to the web to “find a grave” so we could at least see what Williams’ stone looked like or possibly find information on where to look for him inside Calvary because the visitors center was closed. J was able to find a picture, indicating a tall flat stone pinkish in color.  This would at least narrow down the search, though every pink colored stone we passed always seemed to be facing the opposite direction so that we couldn’t read the writing on it.

Winding through the narrow roads and searching the hillside for Tennessee, we reached a fork in the road and J told me to turn right.  I turned and looked out the window to the left and immediately shouted, “There he is!”  Williams’ stone was right there on a small hill, standing grand between his sister Rose and mother Edwina. I grabbed my camera and we stepped out of the car.  Eager to snap a photo, my camera would not turn on.  The battery was dead. No worries!  J had his brand new camera and would snap a photo for me, but upon taking out the camera he discovered he’d forgotten his memory card.  But my cam had a card!  So, I gave him the card and we were finally able to get the photo I wanted!

I wanted to yell “Stella!” or say something like “I’ve always depended on the kindness of strangers!”  Instead, I noticed the footprints in the snow.  Tennessee had had visitors. And over time, several had left him gifts.  There were a number of pennies lying there on his stone, amongst a few silk flowers.  His sister Rose lay at his side.  Her stone was flat but engraved on it were the words “Blow out your candles Laura.”  I smiled at that, a line from his infamous play Glass Menagerie for those of you who might not know.  The character of Laura from the play was based on Rose. Tennessee was very close to sister Rose.  Here’s why according to Wikipedia:

Tennessee was close to his sister Rose, a slim beauty who was diagnosed with schizophrenia at a young age. As was common then, Rose was institutionalized and spent most of her adult life in mental hospitals. When therapies were unsuccessful, she showed more paranoid tendencies. In an effort to treat her, Williams’ parents authorized a prefrontal lobotomy, a drastic treatment that was thought to help some mental patients who suffered extreme agitation. Performed in 1937 at the Missouri State Sanitarium, the operation incapacitated Rose for the rest of her life.

Mother Williams

Rose outlived her brother by 13 years. To the left of them stood a tall gray colored stone, and several feet away too. Edwina Dakin Williams.  I didn’t know who she was but asked J to snap a photo of her so I could remember to look her up.  It turns out it was Mother Williams, which explains a bit of why Tennessee is probably buried here in St. Louis. Edwina died 3 years before Tennessee did. Williams was born in Columbus, Mississippi, but never really called it home. In 1918, when Tennessee was seven years old, he and his family moved to St. Louis and lived in University City. He attended University of Missouri and later transferred to Wash U. His degree was earned in Iowa and he later studied theatre in New York before finally settling in New Orleans for much of his adulthood life. Williams died in New York City, but his brother Dakin insisted he be interred here in St. Louis, probably because Edwina was already there waiting. And I had always thought Tennessee belonged to New Orleans. But here he was.  And we found him.

Young Tennessee, Rose, and Mother Edwina

Even as J’s camera blinked at cold angels and a solid Jesus, as we walked between the tall obelisks, J reminded me that he wants to be cremated instead of buried. I didn’t indicate myself but said I guess it would depend on who was left.  I romanticize the thought of an interesting statue six feet above me that some curious onlooker might seek out and want to photograph some day, and maybe I’ll lie down beneath Midwest winters if I go before other family – giving them a place to go and leave a coin or silk flower. Or have them spend their money more wisely to have me cremated as well, and scatter my ashes in obscure places like backwoods bridges and giant flea markets like Orlando Bloom did to his father in Elizabethtown.

Remember me as a memory, find me in a dream, instead of some cold carved wall where you could touch my name.  I don’t think I want to be a monument.  I want to be a legend in words, like Tennessee.  And someday, somewhere, in the stacks of books in your dead loved one’s attic, in boxes of mementos and trunks of papers, you’ll blow dust in the air and reveal my name.

You’ll find me.

NKOTBSB

And now for a blast from my past since New Kids on the Block and Backstreet Boys are coming to St. Louis this year on July 19th.  I kind of get tickled at the (now middled aged) girls calling in to the radio stations and screeching when they win tickets.  However, I seem to remember being a 12 year old boy once with the receiver in hand and the radio station on speed dial when NKOTB came to Memphis years ago.  I had a wall full of NKOTB posters and all their cassette tapes.  Yes, I said cassette tapes!

This one is for you, Corey!

Mark Zero reviews AYSD?

Though he only gave it 3 stars, author Mark Zero recently wrote an amazing and thorough review of Are You Sitting Down? over at GoodReads.  Check this out…

Whether they perpetrate or suffer the crimes and misdemeanors they relate, the characters rarely make any judgments about what they do except to justify their own crimes, and the novel’s attitude toward the town’s secrets is neutral. All secrets—marital dysfunction, homicide, closeted homosexuality—carry the same moral weight in Are You Sitting Down, and the novel treats its grotesque and realistic elements in exactly the same manner, so that the gothic aspects of the story offer neither commentary nor framework for understanding the characters’ more mundane challenges.

Wow!  You can read the full review here.

An Open Letter To the Susan G. Komen Foundation (aka For the Cure Foundation)

Dear Susan G. Komen Foundation-

Or should I call you “For The Cure” Foundation? Whatever you prefer. In light of the recent headlines concerning you trademarking every slogan that involves the words “For The Cure” and you attempting to sue other companies and non-profit organizations that use the words “For The Cure” because that’s considered trademark infringement and you think you should own those three words, I’m writing today with a special request.  But before I get to my request, I have a few questions I’d like to inquire about concerning your recent activity.

First, do you plan to also trademark the color pink or possibly the word “pink?”  If so, are you going to demand singer Alecia Beth Moore to change her celebrity name – Pink?  And what about the Pink Panther?  Would you sue him and require him to get a dye job?   Will the back-to-school 16 count Crayola box now only be 15? Will pink champagne have to call itself tangerine to avoid a lawsuit?  Will Sweethearts candy now only come in yellow, green, white and blue?  Will you sue flower companies for delivering pink roses on Valentine’s Day? Will hospitals now need to assign a new trademark color to newborn baby girls?  Will Aerosmith have to change their favorite color?

I would also like to commend you on being able to rally millions of people for your one cause, collecting millions of dollars “for the cure.”  Had I known you needed that money to fight these legal battles over three little words, I would have surely joined the efforts.  I thought you were raising that money for breast cancer awareness, but since you dropped the words “breast cancer foundation” from your name I guess that’s not true anymore. I know that you are saying you are just protecting yourself as a brand, but I thought you were a charity.  Not a brand.  Crest is a brand.  Doritos is a brand. Coke is a brand. Yoplait is a brand, a brand in fact that donates money to you each year for the collection of their pink lids.  Maybe I will also have to reconsider what brand of yogurt I eat now.

And now for my request. I would like your permission to still be able to use the words “for” and “the” freely.  After all, they are two of the most frequently used words in the English language, especially “the”.  Can the American people please have “for” and “the” without upsetting you too much and having to get a lawyer?  Please?  Okay, okay, we’ll let you have “cure.”  Go on.  Take it.  Who needs it?  Sure, there are lots of other cancers out there that need a “cure.”  AIDS needs a “cure” too.  But we’ll just make them pick some other word.  God knows the dictionary is full of them. Heck, “aid” is a good substitute for “cure.”  Or how bout heal, fix, elixir, antidote, or correct?  All perfectly good substitutes for “cure.”  I’d race for the elixir of leukemia any day.  I’d even race for the Rid of Rectal Cancer, but Rid makes me think of that brand name used to get “rid” of children’s head lice.  They’d probably sue us over that.

By the way, Susan G. Komen’s maiden name was Goodman.  Good man.  That of which you are not any longer.  You are wasting your time with this nonsense.  You are wasting money which supporters have so gracefully bestowed upon you. And you are wasting your supporters time, time that could be spent on organizations that are truly looking “for the cure” to whatever they stand for.

Sincerely,

Shannon Yarbrough

Racing “for the Cure.” For that English Rock Band, The Cure.  Don’t sue me!

 

Case 39

Well, we finally got through an entire movie this past Friday.  After holiday movie extravaganza, then turning off Vampires Suck last weekend, Netflix sent us Case 39 this week.  J and I love a good scary movie or psychological thriller.  Case 39 didn’t seem to get a lot of hype, despite Renee Zellweger carrying the lead.  You have to think, “This is the girl from Bridget Jones’ Diary and Chicago!  It has to be good.”  Well, it wasn’t all that.  In fact, you wonder what the heck made her take this movie on?  Bradley Cooper from The A-Team was also on board. And Ian McShane from Pillars of Earth.  And let’s not forget that spooky little girl with the icey eyes Jodelle Ferland who you’ll recognize from movies like Seed and Silent Hill.

Renee plays Emily, a social worker, who takes in young Lily (Jodelle) after saving her from her parents who were trying to kill her.  Renee and Ian, who plays a cop with interest in children’s cases,  even bust into the family home to find her parents trying to stuff her into the oven.  Crazy parents are locked up and  Lily is off to a children’s home, but begs her social worker to take her in instead.  When one of Emily’s other cases, a 10 year old boy, kills his parents in their sleep, and its discovered a phone call to their house came from Emily’s house at 2am, things start to get weird.

Cooper plays a counselor named Doug who is also a love interest to Emily, who eventually has a run in with Lily during a session where he feels threatened.  This causes Emily to raise suspicion and go to the mental hospital to question Lily’s parents after she views what they said in recorded confessions.  By now, the true horror surround little Lily begins to reveal itself as Emily finds herself starting to behave like Lily’s parents did – hiding anything that could be a weapon and barricading herself in her room at night to keep Lily out.

I don’t want to reveal too much about what’s wrong with Lily because it will definitely give the whole premise of the movie away, but it’s never even suggested how she got this way.  The movie avoids the religious route with one brief scene of Emily meeting her cop friend outside of a church.  Instead, the movie plays on the “bump in the night” factors a bit too much, and they aren’t even new bumps you haven’t see before:  A room filling with hornets (Candy man?), demon dogs coming up out of no where (Omen?), creepy telephone calls (The Ring?)…

The film also builds to a bland ending which is totally predictable and leaves you more relieved that the movie is over than satisfied that the world is safe from another little demonic girl. It had it’s moments.  Definitely good for a fun scare, but the storyline lacks depth and foundation.  I’d give it 3 stars.

 

 

Good-bye Medium…

Based on real life medium and author Allison DuBois, Medium premiered on NBC in January 2005.  I was a loyal fan and immediately fell in love with the show.  Loved the storylines.  Loved the characters, and the actors and young actresses playing Allison’s family.  Loved Patricia Arquette as Allison.  It lasted five seasons, and unfortunately got lost in the season line up near the end because NBC kept using it as a replacement show in the January-February season.

In September 2010, it seemed Medium might be holding on when it switched to CBS, but the writing only got stranger and stranger. And lost again.  CBS cut the season from 22 shows to 13 right away, which is pretty much a nail in the coffin of any show CBS touches.

Last night was the season finale, and what a nail indeed. Two of the three kids, Ariel and Bridgette,  made brief appearances in the beginning.  The youngest, Marie, appeared as a teenager since the show took place seven years after Joe died in a plane crash.  Allison began to dream that he was still alive, which affected a huge drug case she was prosecuting now that she’d become the assistant DA and Manual Devalos was now mayor.  But then it turned out Joe wasn’t alive.  Allison had taken control of the dreams and had been seeing only what she wanted to see.

Skip ahead 41 years.  Allison dies as an old woman in a quick scene of her sitting in a rocking chair in a living center while listening to a phone conversation or a recording of her granddaughter talking to her. And when she dies, the younger Allison Dubois we knew is standing there looking at her.  And there’s Joe.  And the two kiss while a montage of the cast being introduced and waving good-bye plays.

The End.

It was a lackluster ending to what had been an amazing show for about it’s first four seasons.  I’m sad to see it go since I’d been watching since the beginning, but like I said, the past season had just been horrible so it was to be expected.

As for the real Allison, she is an amazing person that I will continue to admire.  I look forward to reading more from and about her and the gift she has.